Fresh on the back of mounting a new work over the weekend and the subsidence of the pre-show nerves that go with it, I'm pondering a question I've been asked, and asked of myself many times over the years: Who do you make art for? Andrew Frost recently wrote an opinion piece for Art Guide …
For their presentation of the Arts Territory Exchange archive, the without appeal collective installed and photographed work throughout an industrial space underneath one of the iconic train arches in Hackney, East London. Without appeal writes: Images from the ATE Views project and documentation from participant exchanges are juxtaposed with materials and machinery sourced from throughout …
Iceland has captivated me since I read Hannah Kent's Burial Rites in 2013... I've long believed if you voice an intention, you own it and have a responsibility to make it happen. Sometimes I'm pushed to my very limits doing this - outside and within my practice. It's how, two years ago, I committed to spending …
Good things take time. Over the past three months, a lot of private correspondence has taken place between me and Hamburg based artist, Didi Hock, as part of our involvement in the international project, Arts Territory Exchange (founded and coordinated by artist, Gudrun Filipska). As we've worked on developing a better understanding of each other and how …
Bee Box Sounds is a gentle work requiring attentiveness and on the weekend of its installment as part of #bringtolightproject17, the public is too busy, too distracted, too disinterested to engage...except the children. Like bees to a honeypot. Children running. Children escaping their parents' attention for a short moment. Children scolded and told to hurry up …
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