Apologies for the lack of regular correspondence in this blog. The last two years have been spent establishing the ecoPULSE.art platform for my project work. Artist and blog author, Kim V. Goldsmith My body sways to the four-beat measure of my horse’s walk—slightly slumped in the saddle, hands resting lightly on his whither, necks soft …
2020 has been a year where less has become more, we were forced to live in the present for the sake of the future, and the only constant we could be sure of was change. It's also been a year of limitations and incredible opportunities. Eye of the Corvus landscape installation view, Western Plains Cultural …
Mosses and Marshes aims to put the Macquarie Marshes on an international stage I’ve just launched my second crowdfunding campaign of the past two years on the Australian Cultural Fund platform. My first campaign raised just over $5 thousand – 106% of its target amount. This second campaign, Mosses and Marshes, has launched in a very uncertain …
Eye of the Corvus exhibition ad in magazine at GOMA (Brisbane) giftshop (February 2020) The year 2020 was supposed to be a 'cruisy kinda year' on the back of what had been a whirlwind 2019 -- a quietish year to plan for more adventure in 2021. This post is about how that hasn't been the …
Andrew Frost with some of the regional artists from the "Here and Not Here" exhibition, Cementa 2019 (L-R) Karen Golland, Andrew Frost, Kim V. Goldsmith, Fleur MacDonald, Julie Williams This morning I woke to another review of Cementa Festival in Artlink Magazine (5 February 2020), that referred to the inclusion of regional artists in the …
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