REGIONAL FUTURES RESIDENCY: WELLINGTON CAVES NSW Wind turbine, Bodangora Wind Farm, Wellington, June 2022 The second stay at Wellington Caves as part of my self-directed Regional Futures artist residency took place over four days and nights in mid-June. The decision was made not to cram too much into the itinerary for this visit. Exhaustion doesn't …
2020: a paradoxical year
2020 has been a year where less has become more, we were forced to live in the present for the sake of the future, and the only constant we could be sure of was change. It's also been a year of limitations and incredible opportunities. Eye of the Corvus landscape installation view, Western Plains Cultural …
So, what’s the deal about crowdfunding?
Mosses and Marshes aims to put the Macquarie Marshes on an international stage I’ve just launched my second crowdfunding campaign of the past two years on the Australian Cultural Fund platform. My first campaign raised just over $5 thousand – 106% of its target amount. This second campaign, Mosses and Marshes, has launched in a very uncertain …
2020, please slow down
Eye of the Corvus exhibition ad in magazine at GOMA (Brisbane) giftshop (February 2020) The year 2020 was supposed to be a 'cruisy kinda year' on the back of what had been a whirlwind 2019 -- a quietish year to plan for more adventure in 2021. This post is about how that hasn't been the …
The debrief: looking back to move forward
It was the focussed joy of a special needs child experiencing my VR video in Eye of the Corvus that left me feeling that what I do is worthwhile. It was unplanned and unexpected -- no doubt for both of us, but it will be that little boy who handed me his plastic Australian flag on …
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