2020: a paradoxical year

On site at the CORRIDOR project (photo taken by Phoebe Cowdery)

2020 has been a year where less has become more, we were forced to live in the present for the sake of the future, and the only constant we could be sure of was change. It's also been a year of limitations and incredible opportunities. Eye of the Corvus landscape installation view, Western Plains Cultural …

2020, please slow down

Dust storms continue to roll across Dubbo (summer 2020)

Eye of the Corvus exhibition ad in magazine at GOMA (Brisbane) giftshop (February 2020) The year 2020 was supposed to be a 'cruisy kinda year' on the back of what had been a whirlwind 2019 -- a quietish year to plan for more adventure in 2021. This post is about how that hasn't been the …

The debrief: looking back to move forward

It was the focussed joy of a special needs child experiencing my VR video in Eye of the Corvus that left me feeling that what I do is worthwhile. It was unplanned and unexpected -- no doubt for both of us, but it will be that little boy who handed me his plastic Australian flag on …

Brick walls and frozen thoughts

Kim V Goldsmith digital media artist

Iceland has captivated me since I read Hannah Kent's Burial Rites in 2013... I've long believed if you voice an intention, you own it and have a responsibility to make it happen. Sometimes I'm pushed to my very limits doing this - outside and within my practice. It's how, two years ago, I committed to spending …

A new year: another exhibition in another space

How long can one show the same body of work? Due to an opportunity that arose before Christmas, a selection of 34 of my photographic works from the shows held last year at Red Door Gallery and Cudgegong Gallery are showing again in a new exhibition, installed and opened today at the Coo-ee Heritage Centre, …

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