Trusting in uncertain outcomes Being uncomfortable is a common state for many artists. If we want to do something that pushes the boundaries of our thinking and work, it’s also necessary. The Regional Futures project has generally been an uncomfortable experience for several reasons, covering the project itself, the cross-region inland/coastal conversation I've been part …
Over a long weekend in October, I returned to the Mid North Coast and the Manning Valley for another round of field recordings and story gathering for my Regional Futures project, Vaticinor. Works are now in development for this project, in preparation for a small group exhibition at the Manning Regional Arts Gallery in March …
Apologies for the lack of regular correspondence in this blog. The last two years have been spent establishing the ecoPULSE.art platform for my project work. Artist and blog author, Kim V. Goldsmith My body sways to the four-beat measure of my horse’s walk—slightly slumped in the saddle, hands resting lightly on his whither, necks soft …
It was the focussed joy of a special needs child experiencing my VR video in Eye of the Corvus that left me feeling that what I do is worthwhile. It was unplanned and unexpected -- no doubt for both of us, but it will be that little boy who handed me his plastic Australian flag on …
Continue reading "The debrief: looking back to move forward"
Iceland has captivated me since I read Hannah Kent's Burial Rites in 2013... I've long believed if you voice an intention, you own it and have a responsibility to make it happen. Sometimes I'm pushed to my very limits doing this - outside and within my practice. It's how, two years ago, I committed to spending …
kvgoldsmithart.com 