2020: a paradoxical year

On site at the CORRIDOR project (photo taken by Phoebe Cowdery)

2020 has been a year where less has become more, we were forced to live in the present for the sake of the future, and the only constant we could be sure of was change. It's also been a year of limitations and incredible opportunities. Eye of the Corvus landscape installation view, Western Plains Cultural …

2020, please slow down

Dust storms continue to roll across Dubbo (summer 2020)

Eye of the Corvus exhibition ad in magazine at GOMA (Brisbane) giftshop (February 2020) The year 2020 was supposed to be a 'cruisy kinda year' on the back of what had been a whirlwind 2019 -- a quietish year to plan for more adventure in 2021. This post is about how that hasn't been the …

The debrief: looking back to move forward

It was the focussed joy of a special needs child experiencing my VR video in Eye of the Corvus that left me feeling that what I do is worthwhile. It was unplanned and unexpected -- no doubt for both of us, but it will be that little boy who handed me his plastic Australian flag on …

Eye of the Corvus: Q&A with Kim V. Goldsmith

Kim V. Goldsmith artist and producer

Eye of the Corvus: Messenger of Truth is a project and exhibition that came together over two years across rural Central and North West New South Wales (Australia) and rural Iceland (on the Skagi Peninsula in the north). The project aimed to record the landscapes of these regions from the perspective of ravens/crows (corvids). Following …

An incredible end to 2019

Kim V Goldsmith in Iceland

The blog posts have been missing in action here over the past few months as my time on Eye of the Corvus intensifies. I've been putting my energy into the website dedicated to this project, including two blogs -- one about the project, and the other about my time in Iceland and travels across Scandinavia on …

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